I loved this! Gonna agree, then disagree, almost directly with Spoddet and Snackdragon here for a bit.
I was intensely grabbed by the sequence up until the end. I followed everything quite well, I think — your usage of dissociative language is superb. However, towards the end of the work it drifted away from the intensely personal dilemma and finding of selfhood and towards exploring the surroundings, which I was less hooked by. Further, and I should have said this earlier, the beginning bluetext zone is quite strikingly reminiscent — almost 1:1 — of Disco Elysium's starting dialogue. Those are quite minor nitpicks. The bigger nitpick, however, is that for the 80% of this work, you give us a slice of life experience of a person finding themselves, and then try to jam in as much packed plot as you can into the latter 20% until its ready to burst. I recommend committing to the atmospheric emotional work of thought and change! I wanted to see the resolution to that! Giving a suden plot at the end makes the work feel like it was actually supposed to be the lead-in to a different work altogether.
All that said, final thoughts: I adore this work to pieces. The taste of yellow is gorgeous, and your usage of odd spots of prose to hit the dirty room and mirror, and the quiet but heavily there body trying to die by suicide was impeccable — the work keeps on as though nothing is amiss, but my stomach dropped and it gave the whole next section a vastly grimmer sight. This work is profoundly delicious, and muddy, and chock-full of how it feels to be a person when your brain doesn't. Amazing.
Avocado smoothie with sweet milk as a lunch laced with LSD / 10.
-Styg